One of the least regarded, but arguably the most talented of the many female pianist/vocalists who inhabited the West Coast during the 1940s, Mabel Scott was beautiful, elegant and classically trained, with a strong voice suitable for torchy ballads as well as uptempo jump novelties. And she was married, albeit briefly, to one of the major stars of 1940s black music. Small wonder, then, that she was not more commercially successful during her recording career - or more well-known today than she is.

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One of the most technically gifted and popular vocalists of the immediate postwar period, Jo Stafford effortlessly walked the line between breezy pop and the more serious art of post-big-band jazz singing. With the help of her husband, top-flight arranger and Capitol A&R director Paul Weston, Stafford recorded throughout the '40s and '50s for Capitol and Columbia. She also contributed (with Weston) to one of the best pop novelty acts of the period, a humorously inept and off-key satire that saw the couple billed as Jonathan & Darlene Edwards.

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War-era songstress Ginny Simms was born Virginia Simms on May 23, 1913, in Texas but was raised in California, which accounts for her lack of a Southern accent in her speaking/singing voice. Though she studied piano as a child, it was her vocal gifts that launched her career, which started when she formed a singing trio while studying at Fresno State Teachers College. Ginny was performing at a club in San Francisco when she was heard by bandleader/radio star Kay Kyser. She became his featured singer and the big attraction of Kay Kyser's Kollege of Musical Knowledge, a comedy revue done in the style of a quiz show with music. They also became a romantic item. In addition to radio, she kept busy recording swing and pop albums.

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