Marian Montgomery was born Maude Runnels, 17 November 1934, Natchez, Mississippi, USA, d. 22 July 2002, Bray, Berkshire, England. Montgomery quit school to sing on television in Atlanta, Georgia. After working in advertising and publishing, performing in plays and singing in strip joints and jazz clubs, she became an established cabaret performer. Montgomery was signed to Capitol Records after Peggy Lee heard her demo tape, and she recorded three albums for the label. She moved to the UK in 1965 to sing at a new London club, the Cool Elephant, with John Dankworth’s band. That same year she married composer and musical director Laurie Holloway and began to establish herself on the London club scene, equally at home at Ronnie Scott’s jazz club as she was on the less demanding cabaret circuit.
The songs of Sammy Cahn part 2
One of the more diverse American lyricists of the 20th century, Sammy Cahn wrote his first hit by the age of 21 and followed it with over five decades of successful and award-winning compositions. Working most frequently with Jule Styne during the '40s and Jimmy Van Heusen during the '50s (though he also composed with Axel Stordahl and Paul Weston), Cahn had a way with lovesick ballads ("I'll Walk Alone," "Only the Lonely") as well as bouncy uptempo songs ("Let It Snow! Let It Snow! Let It Snow!," "Saturday Night Is the Loneliest Night of the Week").
Janet Blair was barely an adult when she gave up a career as a big band singer and signed a contract with Columbia Studios. Her career started promisingly, with big roles the 1942 films "Broadway" and "My Sister Eileen," in which she played Eileen Sherwood to Rosalind Russell's Ruth Sherwood. But the quality of her roles dipped by the middle of the decade. In 1950 she left Hollywood and joined a touring production of South Pacific, playing lead Nellie Forbush. It was highly successful, running more than 1,200 performances over three years. She also starred in a national tour of Mame (with Elaine Stritch supporting as Vera Charles), and starred in productions of Bells Are Ringing and Follies. She headlined a single Broadway play, a 1953 comedy called You Never Can Tell.
One of the more diverse American lyricists of the 20th century, Sammy Cahn wrote his first hit by the age of 21 and followed it with over five decades of successful and award-winning compositions. Working most frequently with Jule Styne during the '40s and Jimmy Van Heusen during the '50s (though he also composed with Axel Stordahl and Paul Weston), Cahn had a way with lovesick ballads ("I'll Walk Alone," "Only the Lonely") as well as bouncy uptempo songs ("Let It Snow! Let It Snow! Let It Snow!," "Saturday Night Is the Loneliest Night of the Week").
Julie London recorded 32 albums during her career. Forced to give up band singing when her true age was discovered, she was primarily a torch singer. Her vocal range was described by "sultry" and "low-keyed". Her own favorite singers were Barbra Streisand and Roberta Flack.
She was known in some circles as "The Liberty Girl" for helping establish Liberty Records, where she began singing in 1955, as a successful label. Her many hit albums on that label include "Julie Is Her Name", "Calendar Girl" with some borderline erotic (for the time) cover photography by Gene Lester, "About the Blues", "Your Number, Please", "Send For Me", "Love Letters", "The End of the World", "In Person at the Americana", "The Wonderful World of Julie London" and the provocatively titled "Nice Girls Don't Stay for Breakfast".
A fine singer with a warm, expressive voice, Helen Merrill's infrequent recordings tend to be quite special with plenty of surprises and chance-taking. She started singing in public in 1944 and was with the Reggie Childs Orchestra during 1946-1947. Merrill, who was married for a period to clarinetist Aaron Sachs, had opportunities to sit in with some of the top modernists of the time, including Charlie Parker, Miles Davis, and Bud Powell. She was with Earl Hines in 1952 and started recording regularly for EmArcy in 1954. Her collaboration with Clifford Brown was her first classic. She made several notable EmArcy albums during 1954-1958 (including one in 1956 that helped bring Gil Evans out of retirement); all have been reissued in a large box. After recording for Atco and Metrojazz in 1959, she moved to Italy for the next four years, touring often in Europe and Japan. Back in the U.S., Merrill teamed with pianist/arranger Dick Katz for a pair of notable and unpredictable Milestone dates (1967-1968) and then moved to Japan where she was quite popular. Helen Merrill returned to the United States in the mid-'70s and has since recorded for Inner City, Owl, EmArcy (including a reunion date with Gil Evans) Antilles, and Verve, which released her 2000 album Jelena Ana Milcetic a.k.a. Helen Merrill.
Pearl Mae Bailey was an American actress, singer, comedian and author. After appearing in vaudeville, she made her Broadway debut in St. Louis Woman in 1946. She received a Special Tony Award for the title role in the all-Black production of Hello, Dolly! in 1968.
Betty Hutton was an American stage, film, and television actress, comedian, dancer, and singer. With a career spanning six decades, she rose to fame in the 1940s as a contract player for Paramount Pictures, appearing primarily in musicals and becoming one of the studio's most valuable stars.
A popular singer, comedienne and actress comfortable with both nightclubs and the theatre, Martha Raye received many awards and performed for servicemen during World War II, the Korean War and the Vietnam War.
Nina Simone
Nina Simone was one of the most extraordinary artists of the twentieth century, an icon of American music. She was the consummate musical storyteller, a griot as she would come to learn, who used her remarkable talent to create a legacy of liberation, empowerment, passion, and love through a magnificent body of works. She earned the moniker ‘High Priestess of Soul’ for she could weave a spell so seductive and hypnotic that the listener lost track of time and space as they became absorbed in the moment.